Back when Andy McGee (David Keith) and his future wife Vicky (Heather Locklear) were college students, they decided to make a few extra bucks volunteering for a clinical trial of a drug called Lot 6. While it made some of the other students go mad or claw their eyes out, it gave Andy the ability to control minds and Vicky the ability to read them. It should come as no surprise that the pairing of the two might result in something beyond their abilities. Their daughter Charlie (Drew Barrymore) has the power to set things on fire with her mind, and unchecked, perhaps even holds the destructive force of a nuclear bomb. This draws the attention of “The Shop”, a secret government agency determined to catch Charlie and use her as a weapon. After they kill Vicky, Andy and Charlie go on the run, but they are eventually captured by mercenary John Rainbird (George C. Scott) and taken to “The Shop”. Once there, they try everything to gain Charlie’s trust, but when they fail in the worst way possible, they will truly find out what power lies inside of a little girl.
Filmed in and around the Wilmington, NC area, including parts of Lake Lure and Chimney Rock National Park, Firestarter’s backdrop is very recognizable to anyone familiar with the lower Appalachian area of North Carolina. The bucolic scenery is in stark contrast to the action in the film. While surrounded by lush greenery and crystalline lakes, Charlie and her father are pursued by the exact inverse, an organization bent of weaponizing a little girl. While King’s telekinetic adventure is the stuff of science fiction, it is a fact that the United States government has in the past participated in secret testing both of substances such as LSD and in pursuit of latent paranormal abilities. King’s story uses these kinds of experiments as a jumping off point for spinning one of his favorite kinds of tales, one of a loss of innocence.
In the ‘80’s no one did innocent better than Drew Barrymore. Only two years earlier she had won America’s heart as little sister Gertie in E.T., and here she taps into the same kind of wide eyed wonderment though tinged with sorrow. Even from the beginning of the film, Barrymore’s Charlie is still very much a little girl, but after a year on the run with the guilt of her mother’s death hanging over her head, she is a little girl with a head full of troubles. These are only magnified tenfold as she comes under the sway of John Rainbird who masquerades as a janitor to gain her trust. Charlie had a tenuous grasp on her powers, how and when to use them, even though her father tries to teach her about the “little bad and the big bad”. Once her last tie to humanity is severed, there is no wonder she becomes a force of nature, and one has to wonder what “The Shop” thought would happen. Barrymore impresses here in a way I have seen very few child stars do exhibiting pathos beyond her years as the film’s emotional toll wears on her character.
If Barrymore is the innocent of Firestarter, then the devil must be George C. Scott’s John Rainbird. I assume Scott’s character was supposed to be of Native American decent, but if you ask me he must have been descended from Ol’ Scratch himself. Not only does his character attempt to use Charlie for his own ends, but he also has a plan to kill Charlie with his bare hands in order to prove his power in the next world. While Martin Sheen and Moses Gunn play characters whose evil has the cold impersonal nature of a Government functionary, Scott’s Rainbird is a mental case to say the least. As with so many of King’s stories, evil is not always one thing, and in this case, it wear several faces. Between the innocence of Barrymore and the evil of Scott lies David Keith’s performance as Andy McKee. He is a man who will do what it takes, at all costs, to defend his daughter, and in the end, it is his final words to his daughter that shapes the outcome of the film.
Firestarter was originally offered to director John Carpenter, but he was let go from the project before he even started due to poor reviews of his film The Thing. (It is now almost impossible to think about The Thing being poorly received.) In his place, the film was given to director Mark L. Lester whose previous credits include 1976’s Bobbie Jo and the Outlaw and 1982’s The Class of 1984. (In 1985 he filmed another unconventional father/daughter tale when he helmed Commando.) While Firestarter is no incredible piece of cinema, Lester provides the film with a well paced plot, an exciting climax, and a genuinely wonderful performance from his child star. All of this is enhanced by the film’s score by prog rockers Tangerine Dream who would famously score 1985’s Legend for Ridley Scott. Fans of Italian prog rockers like Goblin or the compositions of Fabio Frizzi should take note as Dream’s score is full of the moody atmospherics that make Italian soundtracks so popular.
I have to admit I’m not really a Stephen King affectionado. While I’ve read a few of his books over the years (I prefer Barker or better yet King’s son Joe Hill.) and seen a number of the films based on his works, they rarely leave me impressed. In this case Firestarter not only captured my imagination on film, it also lead me to run out to my local used book store and picked up a well loved copy of King’s novel. It also made me excited to see what more The King of Wilmington might have in store for me. I doubt I will find all of King’s films from the Tarheel state to be as good, but who knows. I mean for next week I have a film called Maximum Overdrive directed by Stephen King himself. That has got to be great, right?
Bugg Rating
Firstly, I like the new look!
ReplyDeleteSecondly, you totally made me want to revisit this film. I haven't seen it since I was a little girl (when my parents actually nicknamed me Firestarter, because at the time, I was blond and hated the heat) and I have absolutely no idea what I'd think of it now.
As for Stephen King, I'm also not the biggest fan. I love the ideas of his stories, but I don't think his fiction is particularly good. I love his nonfiction (EW columns. On Writing, Danse Macabre) but overall I prefer Ketchum. I do adore me some SK films though, less for quality than nostalgia and general sense of early 80s/90s fun. THINNER!
Thanks for taking my suggestion T.L.!
ReplyDeleteThat was a fine review- very interesting to learn that John Carpenter could have been the director.
As far as horror authors go, I admit King was a bit of a hack in his middle stages but the last few books of his that I've read have been really excellent- "Blaze", "Cell" and "Duma Key".
I'll be looking forward to the next installment. The guy in the watermelon truck in the opening scene of Maximum Overdrive is a friend of mine's dad!
I can't wait to re watch this movie. I feel very inspired!
ReplyDeleteI love Firestarter for many reasons, Barrymore included, but I think its strongest element is the representation of innocence being able to defend them self against their prey.
ReplyDeleteIt's one of the best adaptions of King's work, though, I have an incredible soft spot for the lesser King movies as well (seconding Emily's Thinner drop!). So I of course look forward to reading your thoughts on Maximum Overdrive!
@Emily- Thanks for the kudos on the new look. I'm always up for trying new things, and this is what happened this time. Interestingly I also love his non-fiction more than his flights of fancy. I've read 'On Writing' so many times that it makes up for my lost time reading The Eyes of the Dragon. T
ReplyDelete@Greg - Thanks for making the suggestion. I haven't read any of King's recent work to comment on it, but I know some friends who like it very much. Interesting to hear about your friends Dad, I'll look out for him.
@Christine- Glad to hear I could inspire a re-watch. This was my first viewing, but it won't be the last.
@Matt- I don't think I've ever seen Thinner. Sadly, it wasn't made in Wilmington so I'll have to get around to it someday (perhaps a Gypsy feature) I can't wait to talk Maximum Overdrive either. I haven't seen it in ages and it was long overdue for a rewatch.