Showing posts with label paracinema. Show all posts
Showing posts with label paracinema. Show all posts

Why (HITCHCOCK) Matters by Christine Makepeace of Paracinema Magazine

Hitchcock is one of those names. It gets tossed around in film discussion and carries with it the same kind of reverence as a Kubrick or a Fuller or a Kurosawa. He is widely recognized as one of the most influential auteurs ever placed behind a camera. His name is spoken as fact. And, even if your firsthand knowledge of his catalogue does not extend past that part of The Birds you saw while flipping channels on a drizzly afternoon, you know the man’s style. It’s pervasive. It’s iconic. And, it’s my assertion, that mark and influence is just as important as the works themselves. The reason why Hitchcock is important? Well, he’s important because he’s entered our collective culture. He has permeated our media. He has influenced our filmic language.

Paracinema, VTSS, and Other Places I'm Buggin' Out

It's occurred to me lately that I've actually been making appearances in many places outside of The Lair, and in case I haven't bothered you on Facebook or Twitter about all the wonderful places you can keep up with me, I thought I'd do a little round-up here. First up is my favorite genre magazine run by my favorite couple, Christine and Dylan, and I'm talking Paracinema Magazine.  

The new issue of Paracinema is up for pre-order now, and aside from the kick ass cover story on Ken Russell's The Devils, there's a piece on porn parodies, an article from The Lair's good pal Matt House of Chuck Norris Ate My Baby. and a little something from me (shameless bolding for my own ego stroking) about the Bob Dylan flick Masked and Anonymous. So pick up your copy today!