Showing posts with label Santo. Show all posts
Showing posts with label Santo. Show all posts

Between Heaven and Hell: Week 2- Jesus Christ Vampire Hunter (2002)

Hello and welcome back to Between Heaven and Hell. This Friday is of course very special because it’s Good Friday, a holiday observed by Christians worldwide as the day that Jesus was hung on the cross. Keeping that in mind, I have a special film for you folks that stars the big JC himself but will his film rise from the tomb or will it get nailed up next to two even worse films. We’ll find out as we take a look at…

Jesus Christ Vampire Hunter (2001) starring Phil Caracas, Maria Moulton, Jeff Moffat, and Tim Devries.  Directed by Lee Demarbre. 

As a plague of daylight resistant, lesbian vampires infects a town, a couple of punk rock priests decide to enlist the help of Jesus Christ himself. After rallying to their cause, Jesus (Caracas) hits the streets armed with a new short haircut and a couple of piercings to put an end to the vampires and their lesbian killing ways. He enlists help from Mary Magnum (Moulton), Apostle to the Apostles, but they are defeated by head vampires Johnny Golgotha (Ian Discoll) and Maxine Scheck (Murielle Varhelyi).  

Wondering why God has forsaken him, Jesus retreats to an ice cream parlor to drown his sorrows. Then from the bowl of frozen goodness comes the voice of his dear old dad who commands Jesus to enlist the help of the Saint of the Ring, Santo (Moffat). With the silver faced wrestler by his side, Jesus is ready for the final fight to determine the fate of the world. While these vampires may no longer fear the sun, they will learn to fear The Son!

The Bugg Picture

This is a film that I’ve been holding onto since someone gave it to me for Christmas (yeah, people know me pretty well), and I’ve been eagerly awaiting reviewing this film. Waiting for a little over three months to see this one, I was sure that the film would not live up to my expectations. After all what other movie boasts Jesus, vampires, Mexican wrestlers, dirt bikes, kung fu, and musical numbers. Well, I’m pretty sure there’s only one, and be assured folks, Jesus Christ Vampire Hunter is a one of a kind film. 

While JCVH obviously has its roots in sacrilege, it’s not the main focus of the film. In fact apart from Jesus being the main character and a healthy dose of pithy Son of God one liners (Such as when Jesus thumps his chest after dealing an ass kicking and proclaims, “Body of Christ!”) the flick does not really bask in the glow of heresy. Instead, we have a Jesus who is full of love for his fellow man, and only does what he has to stop the forces of evil. Sure he may have to take a stop to knock some sense into a few Atheists, but it’s all in a days work for JC. 

The two greatest strengths of the film are the script and the camera work. While obviously shot on a shoestring budget (less than 10,000 Canadian. I could have converted that to U.S. dollars, but I would have to consult a magazine cover to come up with an exchange rate.), Jesus Christ Vampire Hunter has a great look to it. Shot entirely on 16mm film, it gives the film a great retro vibe without beating the audience over the head with it. This is only enhanced by the overdubbed dialog which gives it that great slightly off feeling that is so familiar to fans of foreign films. As for the script by Ian Driscoll (who also appears as Johnny Golgotha), it’s very well paced, and littered with a great array of one liners designed to keep you giggling. Even the singular musical number turned out to be a highly entertaining affair that cribbed bits from everything from West Side Story to Jesus Christ Superstar

As with most low budget films, it’s the cast that really sells the picture. When you don’t have money for fancy effects, fight choreography, or costuming, a lot can be made up with inspired performances. All the actors obviously threw themselves into their roles and it shows. (I know they had to have plenty of dedication, after all it took over 2 years filming on weekends to finish the film.)  Phil Caracas eats up the screen as JC, and all his scenes are highly entertaining. Jeff Moffat must have seen a couple Santo films in his time as he nails the mannerisms of everyone‘s favorite superhero wrestler. The most amazing thing about the rest of the cast is that no one is terrible. Usually there is at least one bad actor in an indie film, but for my money, I didn’t see one here. 

What director Lee Demarbre managed to do was the near impossible. He managed to make a film that spoofed genre film conventions and religion without resorting to broad comedy or humor that was offensive for its own sake. He gave his film a cool look, kept it pacey and interesting, and got killer performances. That is no easy task for the low budget filmmaker. So trust ol’ T.L. when I say you should check this one out, and if you don’t want to take my word for it, may the power of Christ compel you!


The Bugg Rating


Viva Santo!


Good Evening Moonies! The Lightning Bug is in the house again with another cult movie review. This time it's something near and dear to my heart. A masked man. As I myself have a variety of masks I like to wear, I know that masked men always have an honest face. They don't come much more honest than the fellow in tonight's flick so lets get ready to rumble sports fans cause here's Santo!

Sampson in the Max Museum aka Santo en el museo de cera (1963) starring Samson (Santo), Claudio Brook, Norma Mora, Rubén Rojo, and Roxana Bellini. Directed by Alfonso Corona Blake and Manuel San Fernando (english translation).


Santo is your average guy/superhero wrestler/ crime fighter in Mexico, and there are several movies that detail his adventures. However only three of them were ever dubbed and released in the United States where Santo's name was changed to Sampson. In this flick which takes some plot elements from House of Wax , we meet Doctor Karol (Claudio Brook) a proprietor of a famous Wax Museum. Susan (Norma Mora) has been sent there by a magazine she works for to take some pictures. She goes around looking at the wax figures of Gandhi and Gary Cooper; then down to the basement where the monster figures are. Several of these figures are actually actors standing very still for their screen time. Down in the basement we see Frankenstein's Monster, some kind of Wolf man, and The Phantom of the Opera among others.

The next day Susan comes back for more pictures and gets the heebie jeebies from the Doc. As she's leaving she's attacked by a guy that looks a but like a Mexican Vincent Price (or Charlton Heston when he played a Mexican in Touch of Evil). Soon the Doc who's coming under suspicion of kidnapping her by the police and Susan's sister, goes to his friend Professor Halpin who can contact Santo via some tin foil radars and ultra modern TV set. When he does, we get our first real look at our hero doing his thing. Wrestling! Yes, we get to sit though a whole 1960's Lucha Libre match between Santo and Cave Man Joe. This happens again later with another match and is what really makes the film an overlong 90 minutes.


Santo of course agrees to do the job and goes to talk to Dr. Karol. While Santo is there, someone throws a knife at Doctor Karol and Santo chases him out for another fight scene where naturally Santo wins but the assassin escapes). Santo gets on the job examining a threatening letter Dr. Karol recieved only to find its on the letterhead of his friend Professor Halpin, but when Santo goes to confront the Prof he's gone with only a tape to let Santo know he's going to the Wax Museum. Santo goes to investigate, but doesn't really have time since its time to wrestle again! (Note to self:Heroic Mexican wrestlers will help you, but remember they are on a tight schedule.)


Meanwhile while Santo is off winning his match. Professor Halpin gets dumped into a pot of boiling wax after hearing Dr. Karol's plans to create a race of wild animal-men to rule the world. In face Susan has been brought to him so he can make her into Panther Girl. Santo does a bit more investigating and all the evidence leads to Dr. Karol, but first, yep you guessed it, time to wrestle. After some nonsense about faking Santo's death and getting even more evidence on Dr. Karol (really how much evidence does a Superhero Wrestler need!), Santo finally breaks into the Wax Museum and has a fight with Dr. Karol's flunky, the Mexican Vincent Price, and the Frankenstein Monster. Eventually, of course, Santo saves Susan and the day. He then waves at the audience happily and drives off in his white sports car so he can stop evil or wrestle another day.

Overall, if you haven't seen a Mexican wrestler movie you might want to check it out. Its even fun to sit through one of the matches, but if you cut them out and the endless preening and retelling of his plans by Dr Karol, then you don't have a whole lot left. So check it out at your own peril. It's definitely a singular thing and you got to give it up for a man with an honest face like that. I'm also going to leave you with the video for MF Doom and Ghostface Killer's "The Mask" which is made with scenes from a later Santo picture. Viva los Moonies, Bug transmission out.

Bug Rating