Showing posts with label Carpenter. Show all posts
Showing posts with label Carpenter. Show all posts

Halloween 4: The Return of Michael Myers (1988): "The Shape" of Things To Come

First, he came home on Halloween. Then he continues his carnage late that night at the local hospital. Then he, well, he appeared on a TV in the background of a scene while the world was almost annihilated by druids with masks, and finally, despite being shot twice in the head and blown up during his last real appearance, he comes back again in Halloween 4: The Return of Michael Myers. So how did everyone’s favorite Shape come back from having his noggin blown off and being incinerated? He had the ultimate protection, poor box office receipts for the previous un-Myers edition of the franchise. So producer Moustapha Akkad wanted to go back to the well again, and Cannon films approached John Carpenter about penning a sequel, which he did, with Dennis Etchison who had penned novelizations of the series. Their script, detailing a Haddonfield reeling from the killings after banning Halloween, was rejected, and it soon lead to Carpenter, and longtime collaborator Debra Hill, exiting the series. Instead, what came next is a film that would shape the series’ arc for a number of installments and redefine Michael Myers as more supernatural force than man.

13 Things I Love About The Fog (1980)

Today is a red letter day. Not only is it the day that the events that unfold in The Fog take place, but it is also the wedding anniversary of myself and The Lady Bugg. This day 13 years ago we were married, and ever since we’ve managed to avoid ghost pirates of all sorts. So I thought in honor of the date of The Fog and my own nuptials, I thought I would look into 13 things that make me love The Fog. (Listing 13 reasons I love my wife would have just been too easy.)

1. The Story Told Around a Campfire

John Houseman can scare little kids with a story around a campfire, intimidate law students (that’s a Paper Chase reference for those not old enough to remember), and knows how to make money the old fashioned way. I love movies such as The Fog, Sleepaway Camp II, and Madman that kick off with the convention. They always seem to be among my favorites. Here’s the complete text of the story Mr. Houseman tells the kiddies.

”1:55, almost midnight. Enough time for one more story. One more story before 12:00, just to keep us warm. In five minutes, it will be the 21st of April. One hundred years ago on the 21st of April, out in the waters around Spivey Point, a small clipper ship drew toward land. Suddenly, out of the night, the fog rolled in. For a moment, they could see nothing, not a foot in front of them. Then, they saw a light. By God, it was a fire burning on the shore, strong enough to penetrate the swirling mist. They steered a course toward the light. But it was a campfire, like this one. The ship crashed against the rocks, the hull sheared in two, mars snapped like a twig. The wreckage sank, with all the men aboard. At the bottom of the sea, lay the Elizabeth Dane, with her crew, their lungs filled with salt water, their eyes open, staring to the darkness. And above, as suddenly as it came, the fog lifted, receded back across the ocean and never came again. But it is told by the fishermen, and their fathers and grandfathers, that when the fog returns to Antonio Bay, the men at the bottom of the sea, out in the water by Spivey Point will rise up and search for the campfire that led them to their dark, icy death.”

2. Debra Hill

There are some things that just go together perfectly. I could write a clichéd list, but you know what I’m talking about. One thing that should be added it the team of Debra Hill and John Carpenter. They began their professional career in 1975 on the set of Assault on Precinct 13, and it eventually lead to them co-writing Halloween, The Fog, and Escape from L.A. as well as Hill producing Carpenter’s films on several occasions. It also lead to a personal relationship between the pair. Sadly, Hill passed away in 2004 from cancer, and for fans of Carpenter’s films, she will forever be missed. After her passing, John remembered her by saying that knowing her was "one of the greatest experiences of my life - she had a passion for not just movies about women or women's ideas but films for everybody".

3. Tom Atkins as Nick Castle
Seriously, how much fun is Tom Atkins? From Night of the Creeps to Halloween III to The Fog, I always think of Tom as a contradiction. He seems like World’s Biggest Ham, but when you get down to it, he often plays his roles very small. My favorite thing about Atkins in this film is his first scene with co-star Jamie Lee Curtis. She plays a hitchhiker happy to get a ride to the “the other side of town”, as if she would be able to resist Atkins animal magnetism that far. (And she can’t, in their very next scene they are lounging in post-coital bliss.) The only thing holding Atkins back here is his bare upper lip, but even lack of ‘stache can’t contain Tom’s awesomeness.

4. Adrienne Barbeau is Stevie Wayne
I know it’s my anniversary and I shouldn't mention other women, but I think even The Lady Bugg would agree with me on this one. Who wouldn't want Adrienne Barbeau whispering sweet nothings though their radio all night? Stevie Wayne is the axis that the whole film moves around, and Barbeau gives an impressive performance that only features spare interactions with her co-stars.

5. Characters named Dan O’Bannon and Dr. Phibes.
Carpenter does love to put his friend’s names into his films, and The Fog is no exception with a character named after Carpenter’s longtime friend and Dark Star writer Dan O’Bannon. John also tips his hat to Vincent Price by naming the local doctor after Price’s Abominable Dr. Phibes.

6. Cinematography by Dean Cundey
Carpenter and Cundey is a team up that can do no wrong in my eyes. While Cundey got his start working with the Lair’s good friend Greydon Clark, he did so much amazing work with Carpenter on six of both men’s greatest films. (The Thing, Halloween 1 and 2, Big Trouble in Little China, The Fog, Escape from New York) The work he did here, balancing light, shadow, fog, monsters, actors, and everything else Carpenter had going on in a frame, was nothing less than masterful.

7. Creative Journal Writing
The keen eye’d repeat viewer will eventually notice this little bit of production department tomfoolery, but it never fails to amuse me. Here’s the summation from IMDBing movie prop. F--ing a--. It's time to bring in the word guide and the big t--s tattoos and shaved b---s..."

8. The Poetry of Edgar Allan Poe

On a more serious writing note, the film starts off with a couplet from an Edgar Allan Poe poem, here’s the entire text to “Dream within a Dream”

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow-
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand-
How few! Yet how they creep
Through my fingers to the deep,
While I weep- while I weep!
O God! Can I not grasp
Them with a tighter clasp?
O God! Can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

9. Two of the Greatest Scream Queens of All Time in One Movie.
Mother and Daughter Scream Queens Janet Leigh (Psycho) and Jamie Lee Curtis (Halloween) only appeared in three productions together, The Fog, Halloween H20, and an Episode of The Love Boat called “Til Death Do Us Part, Maybe”. Though I don’t think they share but a brief bit of screen time in The Fog, it is awesome to have them together in a film.

10. Fog
I don’t care how much CG you throw at it or how many fog machines that a film maker sets off. Fog effects have never looked better than in Carpenter’s film. Much of it I know was accomplished by running the film backwards, but every sequence, especially by the time the fog is rolling around the city streets, is just spot on and amazing to see.

11. Ticked Off Sailors
I know what with all the Pirates of the Caribbean movies that people have about had enough of pirates (I actually just hit that point this morning when I found out Patti Smith was in the new PotC film.), but Carpenter’s seadogs are not all eye liner and Keith Richards speak. These pirates mean business. After all they have a great legend, and they also happen to be….

12. Ghosts
Or zombie ghosts, or undead, or special fog creatures, who knows? It doesn’t really matter because they’ve shown up to kill everyone in town. They’re rarely seen, they are vicious as they can be, and they appear to be unstoppable. The final sequences at the Church and the Lighthouse should not to be missed by any horror fan as they are as near to perfect as one could imagine.

13. Writer/director/composer John Carpenter
I know this is a cop out, but I love John. Even Ghosts of Mars I kind of like. While he might not have delivered a classic in a number of years, the sheer amount of films he was responsible for is off the charts. Out of my top 10 films of all time, he garners at least 2 spots, and if we’re just talking about horror that number rises considerably. The Fog is early Carpenter doing what he does best, scaring the hell out of his audience and haling a great time doing it.

So there we have it, 13 things I love about The Fog. While I mentioned earlier that doing 13 things I love about my wife would be too easy, it would also not be nearly enough. So Happy Anniversary my dear, lets hope for 87 more so at the century mark we can show up somewhere on a galleon dressed like ghost zombie sailors. That’s right. I know how to keep the romance alive.

Halloween Top 13: The Remake #1: The Thing (1982)

Trust is a hard thing to come by these days. Or any days for that matter, but I hope you folks will trust in me that John Carpenter’s The Thing (1982) ranks up top as the best remake around. Yes, we’ve finally made it to Halloween and the top of the Halloween Top 13: The Remake (which also heralds the era in which I promise to never have such a lengthy event title again), and I hope everyone is having a great All Hallows Eve. I’ve had a wonderful weekend dressing up and going out with my friends, and we’re capping it off tonight with a Walking Dead viewing party. One of the highlights of Halloween, as it has been for the past three years, is doing this countdown and getting to share movies I love as well as getting all the fabulous lists from my blogging friends. Before I get into the review I want to thank each and every one of you folks who pitched in, stopped by to read a post, retweeted, liked, or whatever other kind of social media thing you did. You’ve all made this a wonderful Halloween for me, and I can’t thank you enough.

I also can’t thank Mama Carpenter enough. Without her, we wouldn’t have John, and my list of favorite films would be devoid of Escape from New York, The Fog, Big Trouble in Little China, They Live, and Christine. (You may notice that I failed to list Carpenter’s eponymously titled holiday film from the list. I like it and respect it, but I don’t love it.) Of course, tonight’s film, The Thing, also belongs on that list. Looking back over all the lists that folks sent in, The Thing was the most popular title to appear on a list as well as the most popular choice for number one. When I first jotted down notes for this list back in November of 2009, The Thing was the first film I wrote down, and without a doubt it took top honors. Combining horror, suspense, paranoia, and action into a cohesive film, Carpenter showed everyone how isolated terror and remakes were done.

The original 1951 film, entitled The Thing from Outer Space, was directed by Howard Hawks and starred James Arness (Matt Dillon of Gunsmoke Fame). In it, ‘The Thing’ is a Frankenstein’s monster type creature from space, frozen in a block of ice, but when a group of scientists stationed in the artic thaw it out, it seems that it hadn’t come in peace and proceeds to start killing them off. Carpenter’s film dispenses with the plot of the ‘51 film, and instead goes back to the source material, the novella ‘Who Goes There?’ by John W. Campbell, Jr. Sticking closer to the original story, the 1982 Thing once again terrorizes an Artic base, but it no longer needs a single actor playing it. Instead through a series of great performances and an array of mind blowing special effects, the updated ’Thing’ no longer looks like a Western star with a huge forehead, but in its place can look like anyone, any creature, or reveal its horrible metamorphic form.

Carpenter begins his film by introducing us to the stark whiteness of the location which was filmed both in the Artic and snowy British Colombia. Throughout the film the camerawork and lighting is stunning, and major kudos have to go to cinematographer Dean Cundy for his incredible high contrast work. The careful viewer will also notice several times that Carpenter fades to white or the black during the film which subtly add to the atmospheric tone of The Thing. We are soon introduced to our reluctant hero R.J. MacReady, another wonderful character brought to life by Kurt Russell in a John Carpenter film. Russell is one of the best at playing heroic characters that are everymen, and he hits that perfectly here.  Surrounding him are a cast of characters played by wonderful actors like Keith David, Wilford “Diabeetis" Brimley, T.K. Carter, David Clennon, and Charles Hallahan, and they all give great singular performances differentiating the characters in what could have been a crowded field. This group of men finds themselves trapped by a creature that is a ruthless killer and an unseen menace. Suspicion and paranoia soon run rife though the outpost, and soon people are beginning to question if they could be the creature and not even know it.

As I mentioned yesterday with The Fly, the invasion of the body by an outside force is a common theme in horror films, but what Cronenberg and Carpenter share is the ability to execute their vision. That being said, Carpenter takes a less graphic (and less sexual) path to get to where he was going. He relied on good old fashioned Hitchcockian suspense and a claustrophobic atmosphere to draw the audience into the story of these men. They are, after all, the last line of defense against ’The Thing’ destroying the Earth. Carpenter cleverly hides his hand until the last reel of the film, and then you better hold onto your hat. The whole film is enhanced by the score which is uncharacteristically not penned by the director himself. Instead the duties were handed to Italian maestro Ennio Morricone who gave the film a sound very complimentary to Dean Cundy’s moody lighting. I also have to mention the use of pop songs in a few parts of The Thing because I can never hear Stevie Wonder singing ‘Superstition’ without my mind going to this film.

With The Thing, Carpenter thrills and horrifies in exactly the way I want during Halloween. I want to be afraid of the thing (no pun intended) that goes bump in the night, but I also want to keep a healthy fear of my fellow man going on as well. It delivers on every level, and it not only ranks at the top of this list, but also very near to the top of my favorite Carpenter films overall. That about wraps it up for HT13: TR and my review of The Thing. Once again I want to thank everyone who got involved in the events over here at The Lair, and I hope you all keep coming back. I have lots of great stuff in store for the next couple of months, and I’m already kicking around ideas for next year’s list. 13 Giant Monsters? 13 Foreign horrors? 13 Classics? Who knows? You’ll have to stay tuned right here for the next year to find out. It will be worth it. Trust me.


Bugg Rating

Today's final list of horror remakes is the person that takes the number one spot for me each and every year, my number one, my wife, the lovely and talented Ms. Directed. As always I have to send out a big thanks to her for being a trooper and not killing me as I tried to cram in 31 posts in 31 days. It takes an awful good woman to deal with that, and on top of that she has horror remakes. Take it away, hon…..


1. Thirt13een Ghosts- Taking the concept of the original film and taking the special effects too a whole new gory level, Thrit13een Ghosts made for a great film and Tony Shaloub and F. Murray Abraham were pitch perfect.

2. The Thing- Because I like Kurt Russell in (or out) of anything. I even love Overboard. When you look at it, it could have come out really silly, but Carpenter made it work.

3. The Fly- If you like Franz Kafka and horror movies, how can you not like this one?

4. House on Haunted Hill - I love William Castle, and his event films lend themselves to be remade. Perhaps not the gimmicks, but his stories are so strong. The only thing that holds it back is that Lisa Loeb doesn’t get killed.

5. Attack of the 50 Ft. Woman- It brings the pre-feminist fear of the original into a post-feminist world, and it proves that giant women kicking ass will always be fun to watch.

Terrifying Tuesday :The Fog (1980)

Welcome to April 21st, a special day around the Lair. It’s the 11th Anniversary of my marriage to the ravishing Ms. Directed. I love her as much today as when we met, and what better way is there to celebrate our love than with a film about ghost sailors? Plus they know a good date when they hear it. Ladies and Gents, I’m going to turn this one over to John Houseman…..
The Fog (1980) starring Adrienne Barbeau, Tom Atkins, Jamie Lee Curtis, Janet Leigh, and Hal Holbrook. Directed by John Carpenter. 

“11:55, almost midnight. Enough time for one more story. One more story before 12:00, just to keep us warm. In five minutes, it will be the 21st of April. One hundred years ago on the 21st of April, out in the waters around Spivey Point, a small clipper ship drew toward land. Suddenly, out of the night, the fog rolled in. For a moment, they could see nothing, not a foot in front of them. Then, they saw a light. By God, it was a fire burning on the shore, strong enough to penetrate the swirling mist. They steered a course toward the light. But it was a campfire, like this one. The ship crashed against the rocks, the hull sheared in two, mars snapped like a twig. The wreckage sank, with all the men aboard. At the bottom of the sea, lay the Elizabeth Dane, with her crew, their lungs filled with salt water, their eyes open, staring to the darkness. And above, as suddenly as it come, the fog lifted, receded back across the ocean and never came again. But it is told by the fishermen, and their fathers and grandfathers, that when the fog returns to Antonio Bay, the men at the bottom of the sea, out in the water by Spivey Point will rise up and search for the campfire that led them to their dark, icy death.” -Mr. Machen

The Bugg Picture

Choosing to start this film with the scene of Houseman as Mr. Machen telling his story to a group of campers, John Carpenter sets the tone for the entire film. There are two things at work here, a variation on the ghost story set against a local backdrop and the imagination of pre-adolescent boys. Everything that follows plays into one of these two categories. After all, at its core, this is a film that relies on the glowing red eyes of ghost pirates and the menace of eerie weather. 

The greatest strength of the film is the script written by Carpenter and his producing partner Debra Hill. The dynamic of the story and the interlocking storylines are deftly crafted. The most interesting choice has to be the arc of Adrienne Barbeau’s character. As the narrative unfolds, Barbeau as lighthouse based DJ Stevie Wayne, remains isolated as Antonio Bay is attacked by the vengeful sailors, and she only has a singular scene of face to face interaction with another character in the film. To segregate your top billed actress from the main story is daring, and makes the climax of her storyline all the more harrowing. 

There are many other good performances as both Jamie Lee Curtis and her mom Janet Leigh (in their first on screen pairing) each impressed. The young Jamie Lee is paired up with one of my favorite genre film favorites, Tom Atkins, and every scene they were in was highly entertaining. The always enjoyable Hal Holbrook stars here as a priest that knows exactly why the ghost sailors are so mad. 

Carpenter of course makes the most of his film, and shot the whole affair in the same anamorphic widescreen that he used for Assault on Precinct 13. Once again he worked with cinematographer Dean Cundey who would join him for many of his greatest features including Halloween, Big Trouble in Little China, and The Thing. Cundey had a long history in genre films which include Black Shampoo , an Ilsa flick, and Rock ’n’ Roll High School. Cunday still maintains a busy schedule today, but his choice in films has become decidedly more mainstream. 

This review may be a little light on delving into the plot, but The Fog is one of the few films that I feel greatly improves if one goes into it without a ton of prior knowledge. While it still manages to excite and thrill me after many viewings. I still remember the first time I saw the flick. Like the boys in the beginning of the film, I was in my early teens, and The Fog took me on a pretty scary ride. There’s a good reason the films of John Carpenter are generally acknowledged to be some of the greatest in the modern history of genre films, and The Fog is no exception. So if you haven’t seen this one in a while, check it out again, and if you’re getting ready for a first viewing, sit back and enjoy. 





Bugg Rating