

Ocean Drive Weekend was, once upon a time, distributed by Troma Entertainment, and if you take a look at the box art above, that probably doesn’t come as much of a surprise. If you were to judge the film by its cover, you might think it was some kind of mix of Revenge of the Nerds and Hardbodies, but the truth couldn’t be further from that. Instead you get something more like a Southern fried American Graffiti meets Porky's lite. The story opens sometime in the early sixties just as college is letting out for the summer. The Pepsi Pi’s of Leon University and the Sigma’s of A Great Southern University (Not the One You Think),as the film tells us, take off for a weekend of sun, fun, hooking up, and dancing the night away. Miller and Chuck also hit the road from University in Miller's crappy Dodge full of beer cans with a weekend at the beach and getting laid on their minds. As all the kids gather at the beach their are subplots about trying to get out of the draft, the impending drug culture of the late sixties, drinking a fifth of tequila in 60 seconds (which won’t kill you every time), and eating a raw steak then jumping off a pier to get out of the bill, just to name a few. The film culminates with Danny Van Wieden and the JV’s from Tech kidnapping Miller, and all the groups come together to save a fellow University man.
It may seem like Ocean Drive Weekend is just a collection of scenes, it's a pretty tightly wound plot where all the character's plots intermingle in a pretty smart way. To have a scene where the draft dodger is trying to shoot himself in the foot and misses but the sound scares off a date rapist, the evil Van Wieden, who loses his wallet that is later found by Miller to avoid getting arrested....whew.... yeah, but you see my point. The scripting of the film is one of it's strong points, and even though some of the acting is off, the natural tone and direction of the story seem to bring up the production quite a bit. Now I'm not saying that it's the cleverest film out there. This is not Momento we're dealing with, this is a beach movie, and compared to similar fare it's refreshing that Ocean Drive Weekend hits a good balance between real characters, good plot points, and maintains a light comic vibe.
Now, of course I wasn’t going to the beach on the early sixties (if it was about my years going it would be about reading Puzo's The Godfather on the beach, playing mini golf, and riding go karts at Grand Prix raceway), but my parents were. I don’t think that they ever had adventures quite like the ones detailed in Ocean Drive Weekend (if they did then they have some stories that I want to hear), but the film always reminds both of them of the time they spent down there in their teenage years. I think this speaks volumes about the film. While they both feel that other, more well known Carolina beach movie, Shag: The Movie, was a syrupy, inaccurate affair, OD Weekend hits the era where the innocence of the ‘50’s was waning, but the hippie culture hadn’t taken over yet, without making you wonder if they might have a pair of traveling pants around somewhere.
Try as I might, I can find out absolutely nothing about writer/director Brian Jones. I have long theorized that OD Weekend was made as a student film, but I‘ve got nothing to back that up. All I really know comes from the VHS tape; it was put out on Vestron Video, a Troma film with a 1984 copyright by L.A. Productions. In a way this film is a mystery all over. Most of the stars haven’t appeared in anything else with one or two exceptions. Della Cole (billed here as Konya Dee) who plays one of the Pepsi Pi’s appeared as “Stake Out Prostitute” in 1987’s Dead Aim starring Isaac Hayes as well as a few other productions, and she was probably the best actress in the film. Robert Peacock who played the film’s hero, Chuck, would later he appear in 2003’s Prison A Go Go!, a low budget women in prison film that coincidentally was also released through Troma as well as 2005’s A Texas Tale.
The last cast member with other credits was John Kohler who was so entertaining as computer geek/druggie Kurt. From his opening moments where he wakes up screaming about killer spinach to his monolog about sex, drugs, and rock and roll taking over the world, he really makes the most of what could have been a tiny and rather silly role.He has appeared in several films over the years including Freejack and Gordy, and more recently he made a couple of appearances on Important Things with Demetri Martin.
Some of the best actors in Ocean Drive Weekend never appeared in a film again. The best example of this is Charles Redmond who plays the beer swilling, ignorant, horndog Miller. Sure, he looks much older than the rest of the cast (who already look beyond college age), but it adds to the idea that Miller has been in college for quite some time. By all rights and reason, Redmond should be a character actor with a laundry list of credits, but it didn’t happen. I mean what other character could deliver a line like “Cooked… I don’t want my steak cooked, woman. Cooked steaks are for fags, I want it raw.” and still maintain an imbecilic lovability? Though I’m sure some of that is due to the fact that two scenes later Miller finds out that having steak tartare at a restaurant on a fishing pier might not have been the best plan. Needless to say, Miller is no PC character, but this is still an '80's film no matter the setting.
I can’t believe how far I am into this review, and I really feel like I’ve barely scratched the surface of this film. Not only are there so many questions I have about the productions, but there are so many scenes I’d love to tell you about. I haven’t even touched on the nerds who get turned on by classical music and vector analysis, the romance between Chuck and Jeanie (P.J. Greene), or all the great music in the film. Not only do Carolina Beach music band The Rivieras appear in the film (also looking much older than they should have for the sixties), but they perform great songs like “Showdown” and “Be Young Be Foolish and Be Happy”. They also perform “Double Shot” in the film, but when it is heard on the radio it is clearly the Swinging Medallions version of the song even though it is not credited as such.

Bugg Rating